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	<title>Sloan Science and Film</title>
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	<link>http://scienceandfilm.org</link>
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	<lastBuildDate>Thu, 13 Jun 2013 21:50:30 +0000</lastBuildDate>
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		<title>Dev Patel in Ramanujan’s Lost Notebook</title>
		<link>http://scienceandfilm.org/whatsnew/dev-patel-in-ramanujan%e2%80%99s-lost-notebook/</link>
		<comments>http://scienceandfilm.org/whatsnew/dev-patel-in-ramanujan%e2%80%99s-lost-notebook/#comments</comments>
		<pubDate>Thu, 13 Jun 2013 21:45:43 +0000</pubDate>
		<dc:creator>Samantha Love</dc:creator>
				<category><![CDATA[What's New]]></category>

		<guid isPermaLink="false">http://scienceandfilm.org/?p=1628</guid>
		<description><![CDATA[Dev Patel, star of Slumdog Millionaire, will play the legendary mathematical genius Srinivasa Ramanujan in the upcoming biographical film Ramanujan’s Lost Notebook. The film, which was developed with support through the Film Independent Producer’s Lab, will begin shooting in Fall 2013 in both the U.K. and India.]]></description>
			<content:encoded><![CDATA[<p>Dev Patel, star of <em>Slumdog Millionaire</em>, will play the legendary mathematical genius Srinivasa Ramanujan in the upcoming biographical film <em>Ramanujan’s Lost Notebook</em>. The film, which was developed with support through the Film Independent Producer’s Lab, will begin shooting in Fall 2013 in both the U.K. and India.</p>
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		<title>Midnight Sun to start shooting in July 2013</title>
		<link>http://scienceandfilm.org/whatsnew/midnight-sun-to-start-shooting-in-july-2013/</link>
		<comments>http://scienceandfilm.org/whatsnew/midnight-sun-to-start-shooting-in-july-2013/#comments</comments>
		<pubDate>Tue, 11 Jun 2013 21:42:20 +0000</pubDate>
		<dc:creator>marionmiclet</dc:creator>
				<category><![CDATA[What's New]]></category>

		<guid isPermaLink="false">http://scienceandfilm.org/?p=1624</guid>
		<description><![CDATA[Atomic bomb-drama Midnight Sun, supported in part by Sloan grants at Film Independent and the Tribeca Film Institute, will start shooting next month. The film will be directed by Chris Eigeman, and will star Jesse Eisenberg, Diane Kruger, and Emile Hirsch. Richard Rhodes, a Sloan Foundation grantee and winner of the Pulitzer Prize for his book "The Making of the Atomic Bomb," is an advisor on the project. ]]></description>
			<content:encoded><![CDATA[<p>Atomic bomb-drama <em>Midnight Sun</em>, supported in part by Sloan grants at Film Independent and the Tribeca Film Institute, will start shooting next month. The film will be directed by Chris Eigeman, and will star Jesse Eisenberg, Diane Kruger, and Emile Hirsch. Richard Rhodes, a Sloan Foundation grantee and winner of the Pulitzer Prize for his book &#8220;The Making of the Atomic Bomb,&#8221; is an advisor on the project.</p>
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		<title>Sundance/Sloan Commissioning Grant awarded to Young Il Kim</title>
		<link>http://scienceandfilm.org/whatsnew/sundancesloan-commissioning-grant-awarded-to-young-il-kim/</link>
		<comments>http://scienceandfilm.org/whatsnew/sundancesloan-commissioning-grant-awarded-to-young-il-kim/#comments</comments>
		<pubDate>Mon, 10 Jun 2013 21:41:04 +0000</pubDate>
		<dc:creator>marionmiclet</dc:creator>
				<category><![CDATA[What's New]]></category>

		<guid isPermaLink="false">http://scienceandfilm.org/?p=1619</guid>
		<description><![CDATA[Writer Young Il Kim has been awarded the Sundance Institute’s Alfred P. Sloan Commissioning Grant for his original feature script based on the life of physicist Stephen Hawking. Recipients of the grant are awarded funding to further develop their screenplays, with an additional stipend to hire a science advisor.]]></description>
			<content:encoded><![CDATA[<p>Writer Young Il Kim has been awarded the Sundance Institute’s Alfred P. Sloan Commissioning Grant for his original feature script based on the life of physicist Stephen Hawking. Recipients of the grant are awarded funding to further develop their screenplays, with an additional stipend to hire a science advisor.</p>
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		<title>2013 Tribeca Film Institute Sloan Filmmaker Prize</title>
		<link>http://scienceandfilm.org/whatsnew/2013-tribeca-film-institute-sloan-filmmaker-prize/</link>
		<comments>http://scienceandfilm.org/whatsnew/2013-tribeca-film-institute-sloan-filmmaker-prize/#comments</comments>
		<pubDate>Thu, 02 May 2013 19:53:52 +0000</pubDate>
		<dc:creator>Samantha Love</dc:creator>
				<category><![CDATA[What's New]]></category>

		<guid isPermaLink="false">http://scienceandfilm.org/?p=1554</guid>
		<description><![CDATA[T​​he 2013 Tribeca Film Institute Sloan Filmmaker Prize has been awarded to Newton's Laws of Emotion (screenwriter Eugene Ramos and producer Andeep Singh). The project will receive a $10,000 cash prize to support the completion of the film. Newton's Laws of Emotion follows a young Isaac Newton as he pursues the affections of a headstrong Prussian princess and seeks to uncover the principles of love using his new system of mathematics.]]></description>
			<content:encoded><![CDATA[<p>T​​he 2013 Tribeca Film Institute Sloan Filmmaker Prize has been awarded to <em>Newton&#8217;s Laws of Emotion</em> (screenwriter Eugene Ramos and producer Andeep Singh). The project will receive a $10,000 cash prize to support the completion of the film.<em> Newton&#8217;s Laws of Emotion</em> follows a young Isaac Newton as he pursues the affections of a headstrong Prussian princess and seeks to uncover the principles of love using his new system of mathematics.</p>
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		<slash:comments>0</slash:comments>
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		<title>2013 Sloan Student Grand Jury Prize</title>
		<link>http://scienceandfilm.org/whatsnew/2013-sloan-student-grand-jury-prize/</link>
		<comments>http://scienceandfilm.org/whatsnew/2013-sloan-student-grand-jury-prize/#comments</comments>
		<pubDate>Thu, 02 May 2013 19:52:44 +0000</pubDate>
		<dc:creator>Samantha Love</dc:creator>
				<category><![CDATA[What's New]]></category>

		<guid isPermaLink="false">http://scienceandfilm.org/?p=1544</guid>
		<description><![CDATA[UCLA student Barnett Brettler is the recipient of ​the ​2013 Sloan Student Grand Jury Prize for his screenplay Waking Hours. This annual prize celebrates the winning script from Sloan’s six film school partners—AFI, Carnegie Mellon, Columbia, NYU, UCLA, and USC. The prize includes a $30,000 grant plus mentorship from scientific experts and film industry professionals, networking opportunities, industry exposure, and an extra $20,000 toward the production of the film. Waking Hours tells the story of a UK border agent who must cross into an infected zone to find the woman he loves.]]></description>
			<content:encoded><![CDATA[<p>UCLA student Barnett Brettler is the recipient of ​the ​2013 Sloan Student Grand Jury Prize for his screenplay <em>Waking Hours</em>. This annual prize celebrates the winning script from Sloan’s six film school partners—AFI, Carnegie Mellon, Columbia, NYU, UCLA, and USC. The prize includes a $30,000 grant plus mentorship from scientific experts and film industry professionals, networking opportunities, industry exposure, and an extra $20,000 toward the production of the film. <em>Waking Hours</em> tells the story of a UK border agent who must cross into an infected zone to find the woman he loves.</p>
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		<title>NYC premiere of A Birder’s Guide to Everything</title>
		<link>http://scienceandfilm.org/whatsnew/nyc-premiere-of-a-birder%e2%80%99s-guide-to-everything/</link>
		<comments>http://scienceandfilm.org/whatsnew/nyc-premiere-of-a-birder%e2%80%99s-guide-to-everything/#comments</comments>
		<pubDate>Mon, 22 Apr 2013 21:34:17 +0000</pubDate>
		<dc:creator>Samantha Love</dc:creator>
				<category><![CDATA[What's New]]></category>

		<guid isPermaLink="false">http://scienceandfilm.org/?p=1606</guid>
		<description><![CDATA[Rob Meyer's A Birder's Guide to Everything—a bird-watching comedy starring Ben Kingsley—had its world premiere at the 2013 Tribeca Film Festival. The film received Sloan development funding through the Sundance Labs in 2010, and was a TFI-Sloan Filmmaker Fund recipient in 2011.]]></description>
			<content:encoded><![CDATA[<p>Rob Meyer&#8217;s <em>A Birder&#8217;s Guide to Everything</em>—a bird-watching comedy starring Ben Kingsley—had its world premiere at the 2013 Tribeca Film Festival. The film received Sloan development funding through the Sundance Labs in 2010, and was a TFI-Sloan Filmmaker Fund recipient in 2011.</p>
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		<title>2013 Tribeca Film Institute-Sloan grants</title>
		<link>http://scienceandfilm.org/whatsnew/2013-tribeca-film-institute-sloan-grants/</link>
		<comments>http://scienceandfilm.org/whatsnew/2013-tribeca-film-institute-sloan-grants/#comments</comments>
		<pubDate>Thu, 04 Apr 2013 21:29:07 +0000</pubDate>
		<dc:creator>Samantha Love</dc:creator>
				<category><![CDATA[What's New]]></category>

		<guid isPermaLink="false">http://scienceandfilm.org/?p=1596</guid>
		<description><![CDATA[The Tribeca Film Institute and the Alfred P. Sloan Foundation have awarded the 2013 TFI-Sloan grants to four projects that integrate science and technology themes. The winners are: 2030, set in a near future Vietnam where seawater has buried a large part of the land and crop cultivation has to be carried out on floating farms; Newton’s Laws of Emotion, about a young Isaac Newton and his romantic and scientific pursuits; Oldest Man Alive, in which a suicidal 88-year-old inventor finds a new reason to live; and Doctor, about a disgraced doctor and medical researcher from India who starts working at an illegal clinic in Queens.]]></description>
			<content:encoded><![CDATA[<p>The Tribeca Film Institute and the Alfred P. Sloan Foundation have awarded the 2013 TFI-Sloan grants to four projects that integrate science and technology themes. The winners are: <em>2030</em>, set in a near future Vietnam where seawater has buried a large part of the land and crop cultivation has to be carried out on floating farms;<em> Newton’s Laws of Emotion</em>, about a young Isaac Newton and his romantic and scientific pursuits; <em>Oldest Man Alive</em>, in which a suicidal 88-year-old inventor finds a new reason to live; and <em>Doctor</em>, about a disgraced doctor and medical researcher from India who starts working at an illegal clinic in Queens.</p>
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		<slash:comments>0</slash:comments>
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		<title>Kino Lorber acquires U.S. rights to Computer Chess</title>
		<link>http://scienceandfilm.org/whatsnew/kino-lorber-acquires-u-s-rights-to-computer-chess/</link>
		<comments>http://scienceandfilm.org/whatsnew/kino-lorber-acquires-u-s-rights-to-computer-chess/#comments</comments>
		<pubDate>Tue, 26 Mar 2013 00:48:54 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[What's New]]></category>

		<guid isPermaLink="false">http://scienceandfilm.org/?p=1534</guid>
		<description><![CDATA[Kino Lorber has acquired U.S. distribution rights to Andrew Bujalski's comedy Computer Chess, winner of the 2013 Alfred P. Sloan Feature Film Prize at the Sundance Film Festival. CEO of Kino Lorber, Richard Lorber, said of the film, "We're going to have a blast bringing this to cross-over audiences of geeky tech lovers, young and old, as well as the indie art house crowd, who will never have seen anything quite like Andrew's unprecedented fusion of form and content here." Andrew Bujalski was awarded the Sloan Development Fund at the Tribeca Film Institute. Computer Chess opens in July at Film Forum in New York City. Read an interview with Andrew Bujalski here.]]></description>
			<content:encoded><![CDATA[<p>Kino Lorber has acquired U.S. distribution rights to Andrew Bujalski&#8217;s comedy <em>Computer Chess</em>, winner of the 2013 Alfred P. Sloan Feature Film Prize at the Sundance Film Festival. CEO of Kino Lorber, Richard Lorber, said of the film, &#8220;We&#8217;re going to have a blast bringing this to cross-over audiences of geeky tech lovers, young and old, as well as the indie art house crowd, who will never have seen anything quite like Andrew&#8217;s unprecedented fusion of form and content here.&#8221; Andrew Bujalski was awarded the Sloan Development Fund at the Tribeca Film Institute. <em>Computer Chess</em> opens in July at Film Forum in New York City. Read a <em>Cinema Scope</em> interview with Andrew Bujalski <a href="http://cinema-scope.com/cinema-scope-magazine/middlegame-an-interview-with-andrew-bujalski/">here</a>.</p>
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		<title>The Alfred P. Sloan Foundation and The Coolidge Corner Theatre Foundation partner to expand Science on Screen</title>
		<link>http://scienceandfilm.org/articles/the-alfred-p-sloan-foundation-and-the-coolidge-corner-theatre-foundation-partner-to-expand-science-on-screen/</link>
		<comments>http://scienceandfilm.org/articles/the-alfred-p-sloan-foundation-and-the-coolidge-corner-theatre-foundation-partner-to-expand-science-on-screen/#comments</comments>
		<pubDate>Fri, 15 Mar 2013 21:15:26 +0000</pubDate>
		<dc:creator>Samantha Love</dc:creator>
				<category><![CDATA[Articles]]></category>

		<guid isPermaLink="false">http://scienceandfilm.org/?p=1447</guid>
		<description><![CDATA[March 14, 2013 What can Night of the Living Dead (1968) tell us about the inner workings of the zombie brain? How did artificial intelligence research inform the “character” of HAL 9000 in 2001: A Space Odyssey (1968)? These are just some of the subjects addressed in Science on Screen, a lively and inventive national [...]]]></description>
			<content:encoded><![CDATA[<p>March 14, 2013</p>
<p style="text-align: left;"><a href="http://scienceandfilm.org/wp-content/uploads/2013/03/Shane-Carruth_Clifford-Johnson_Primer_lowres.jpg"><img class="alignleft" title="Shane Carruth and Clifford Johnson at screening of Primer" src="http://scienceandfilm.org/wp-content/uploads/2013/03/Shane-Carruth_Clifford-Johnson_Primer_lowres.jpg" alt="" width="241" height="160" /></a>What can <em>Night of the Living Dead</em> (1968) tell us about the inner workings of the zombie brain? How did artificial intelligence research inform the “character” of HAL 9000 in<em> 2001: A Space Odyssey</em> (1968)? These are just some of the subjects addressed in Science on Screen, a lively and inventive national program that pairs popular films with cutting edge science through screenings accompanied by presentations by scientists and technology experts.</p>
<p>The program is the brainchild of The Coolidge Corner Theatre Foundation, in collaboration with one of its long-term members, Richard Anders, and is supported by the Alfred P. Sloan Foundation. At the Coolidge Corner Theatre in Brookline, Massachusetts, Woody Allen’s <em>Sleeper</em> (1973)—the story of a man who is revived after being frozen for 200 years—was paired with a presentation by Harvard Stem Cell Institute Executive Director Brock Reeve. In another program, the Tampa Theatre presented a talk by Professor Randy Criss of the University of South Florida Department of Physics about the science behind Mel Brooks’s classic comedy <em>Young Frankenstein</em> (1974).</p>
<p style="text-align: left;"><img class="alignright" title="Young Frankenstein" src="http://scienceandfilm.org/wp-content/uploads/2013/03/YoungFrank_lowres1.jpg" alt="" width="242" height="158" />Since 2005, over 60 programs have taken place at the Coolidge Corner Theatre alone, with many more held at other venues including the California Film Institute, San Rafael, California and Cinema Arts Centre, Huntington, New York.</p>
<p>Reaction to one Science on Screen program even prompted the creation of a new work: after his well-received presentation on zombies, psychiatrist Dr. Steven C. Scholzman went on to author a book on the subject,<em> Zombie Autopsies: Secret Notebooks from the Apocalypse</em> (2011, Hachette Digital, Inc.), which in turn inspired <em>Night of the Living Dead</em> writer/director George Romero to develop a new film. The success of Science on Screen has led Sloan and Coolidge to expand the program further to 20 independent film theaters in Fall 2012, with another 20 grants to be awarded in Fall 2013.</p>
<p style="text-align: left;">“The goal of the Coolidge’s Science on Screen series has always been to enlighten through entertainment,” says Coolidge Corner Theatre Executive Director Denise Kasell. “We try to keep things interesting and fun by presenting a wide range of films and pairing them with speakers in unexpected ways. Over the past two years, it has been such a privilege to work with the Sloan Foundation and to witness Science on Screen being adopted by art house theaters across the country. It’s clear that audiences are hungry for this kind of creative, thoughtful, film-plus programming.”</p>
<p style="text-align: left;"><img class="alignleft" title="Jaws_lowres" src="http://scienceandfilm.org/wp-content/uploads/2013/03/Jaws_lowres.jpg" alt="" width="241" height="160" /></p>
<p style="text-align: left;">Doron Weber, Vice President of Programs at the Alfred P. Sloan Foundation says, &#8220;Not only do these films offer fun and original ways to engage with science, but the screenings provide the filmmakers we support with a unique distribution platform, the culmination of a Sloan development pipeline that begins with film schools and progresses to screenplay development and production via a pioneering “farm system” of science-in-film partners. The Sloan Foundation is thrilled to partner with the Coolidge Corner Theatre in expanding this exciting series.&#8221;</p>
<p style="text-align: left;">The venues participating in the Science on Screen program are members of the Art House Convergence, an annual gathering of independent art house operators organized by the Art House Project and the Sundance Institute. The members of the Art House Convergence and other cinemas like them around the country have a direct and lasting impact on their communities, providing the public with access to films that otherwise cannot be seen on the big screen. The availability of provocative and entertaining programs such as Science on Screen is a clear example of how independent cinemas can take audiences well beyond the multiplex.</p>
<p><em>Science on Screen is a program of the Alfred P. Sloan Foundation and the Coolidge Corner Theatre. More information on Science on Screen grants, including how to apply, can be found on The Coolidge Corner Theatre Foundation <a href="http://www.coolidge.org/programs/science-on-screen">website</a>.</em></p>
<p>Image credits, clockwise from top:  Director Shane Carruth and Dr. Clifford V. Johnson at a post-screening discussion of <em>Primer</em>, at which Johnson spoke about the physics of time. Photo by Charles Constantine; Dr. Randy Criss gives a talk about electricity at a screening of <em>Young Frankenstein</em>, Tampa Theatre. Photo by Radko Keleman; Daniel Huber, Assistant Professor of Biology at The University of Tampa, speaks about the behavior and biomechanics of shark feeding at a screening of <em>Jaws</em> at the Tampa Theater. Photo by Radko Keleman.</p>
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		<title>108 Media/Paladin Acquire Sloan Sundance winner Valley of Saints</title>
		<link>http://scienceandfilm.org/whatsnew/108-mediapaladin-acquire-sloan-sundance-winner-valley-of-saints/</link>
		<comments>http://scienceandfilm.org/whatsnew/108-mediapaladin-acquire-sloan-sundance-winner-valley-of-saints/#comments</comments>
		<pubDate>Wed, 27 Feb 2013 21:31:03 +0000</pubDate>
		<dc:creator>marionmiclet</dc:creator>
				<category><![CDATA[What's New]]></category>

		<guid isPermaLink="false">http://scienceandfilm.org/?p=1438</guid>
		<description><![CDATA[108 Media and Paladin have jointly acquired worldwide rights to Valley of Saints, winner of the Alfred P. Sloan Feature Film Prize at Sundance Film Festival in 2012 and recently nominated for Best Cinematography at the Independent Spirit Awards. Congratulations to the director, Musa Syeed, an NYU graduate who lives in the Museum's neighborhood Astoria, Queens. Valley of Saints is Syeed’s first feature film—he previously co-produced Bronx Princess (Official Selection, Berlinale) and A Son’s Sacrifice (Best Documentary Short, Tribeca), with Valley cinematographer Yoni Brook. ]]></description>
			<content:encoded><![CDATA[<p>108 Media and Paladin have jointly acquired worldwide rights to <em>Valley of Saints</em>, winner of the Alfred P. Sloan Feature Film Prize at Sundance Film Festival in 2012 and recently nominated for Best Cinematography at the Independent Spirit Awards. Congratulations to the director, Musa Syeed, an NYU graduate who lives in the Museum&#8217;s neighborhood Astoria, Queens. <em>Valley of Saints </em>is Syeed’s first feature film—he previously co-produced <em>Bronx Princess</em> (Official Selection, Berlinale) and <em>A Son’s Sacrifice</em> (Best Documentary Short, Tribeca), with <em>Valley </em>cinematographer Yoni Brook.</p>
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